#ik this is basically like

[craqueluring]

lets talk about will's journey through hannibals mind palace in s3a, the myth of theseus, the minotaur, ariadne’s thread, labyrinths, and mazes (there is a tldr at the end of this! and this gets better & more cohesive towards the end i promise lol esp after the uffizi gallery screenshot)

background on theseus: theseus sailed to crete intending to defeat the minotaur, a beast housed by the labyrinth constructed by daedalus. it was constructed so well, daedalus himself could not navigate it. ariadne was the daughter of king minos, who ordered the entrapment of the minotaur. she fell in love with theseus, and,betraying her father and her country, she gave theseus a thread to tie one end at the entrance of the labyrinth, and carry the rest with him, so he could find his way back out. theseus succeeded in killing the minotaur and returned safely.

will graham sails to italy as theseus sailed to crete, and enters the labyrinth of hannibal lecter's mind palace at the norman chapel in palermo, italy. the imagery of the many consecutive doorways and disorienting paths in the catacombs under the chapel is notably labyrinthine, and is actually what made me think of this connection in the first place.

*note the consecutive doorways/arches. this parallels the shot of will and hannibal in front of la primavera. in that shot, there are also many doorways behind them.

hannibal is simultaneously

daedalus, the maker of the labyrinth,

the minotaur, the beast at the center, and,

partly, ariadne, the one who betrays her father and her country, falls in love with theseus and allows him to navigate the labyrinth (i.e. the heart in the norman chapel is what confirms to will that he is going in the right direction). just as ariadne's love of theseus was a betrayal of her country and her father, hannibal's love of will is a betrayal of himself.

perhaps hannibal as daedalus-minotaur-ariadne represents the many contradictory parts of hannibal: the person suit containing the monster (daedalus), the monster (minotaur), and lover (ariadne).

but ariadne, the symbol of love, could also be more accurately represented by both will and hannibal: their connection, and its portrayal through will's hallucinations:

the ravenstag which leads will on the train tracks after chiyoh pushes him off

the blood puddle under the doors to the norman chapel catacombs

the fireflies that lead him to mischa's grave

& more

this thread of connection that leads will through the labyrinth of hannibal's mind is universally present throughout season 3a. it is not the physical actions of a lover that lead will through the labyrinth like ariadne did for theseus, but instead the undertanding derived from love of the labyrinth-maker himself which allows will to navigate the labyrinth. 

if the entrance ("foyer") to hannibal's labyrinthine mind palace is the norman chapel, the center is his home in lithuania, as will's imagined hannibal says while he is in the lithuanian forest in secondo 3x03:

"is this where construction began?" "on my memory palace? its door at the center of my mind. and here you are, feeling for the latch."

perhaps the center of hannibal's memory palace is actually hannibal's home and what happened there. "mazes intended to be more or less impenetrable have a center containing something so valuable or so shameful as to warrant protection" (x pg. 91) — hannibal's labyrinthine mind palace was constructed outward to protect something at his origin, at the center of his mind: mischa.

will's last stop in hannibal's labyrinth, and perhaps the exit, is where he finds hannibal in front of la primavera, once again in italy. the long hall of consecutive doorways in the center of the screen, which mirrors the doorways in the catacombs during will's 'entrance' into hannibal's mind palace, gives a sense of some long journey coming to an end. he tells hannibal "i wanted to understand you before i laid eyes on you again. i needed it to be clear what i was seeing," plainly stating his reason for his journey through the labyrinth — understanding. 

*note the consecutive doorways in the center, which parallel the arches in the aforementioned shot of will entering the catacombs in secondo

as explained by penelope reed doob, the purpose of a labyrinth can be to…

"…to entrap or enlighten errant mazewalkers, denying or controlling access to a center that may contain good or evil, and leaving the maze-walker with higher knowledge or in chaotic limbo" (x pg. 64)

certainly, will's journey through hannibal's labyrinth was, as doob calls it, "the labyrinth as a sign of difficult progress." as a plot device, will's journey through europe, hannibal's labyrinth, the mind palace, was a path designed to lead to will gaining higher knowledge, and the "transcendence of labyrinthine confusion" (x pg. 91) 

right?

but, even after will's journey, we as the audience, will as a character, and even hannibal himself, remain confused, turned around, and unable to see any end in sight, especially after both of their failed attempts at separation.

we are still in the labyrinth. 

"labyrinths, like life, involve chaos and order, destiny and free choice, terror and triumph — all held in balance, all perspective-dependent" (x pg. 252)

church labyrinths as a metaphor for life in particular emphasize a unicursal design, or there being only one true path — that of christ, who can act as a guide for humanity "to discover that the mythically multicursal and unstable labyrinth — of life, of the world, of hell — is in fact unicursal, stable, and extricable" (x pg. 133)

instead of this, nbc's hannibal purposefully emphasizes the multicursal and inextricable nature of life and the world through the use of a seemingly chaotic, and sometimes absurd, plot. there are so, so, so many paths will can (and does) follow in the labyrinth/maze of his life. but none are emphasized as the correct one. because that does not exist. everything becomes a matter of perspective, and even looking at the maze from the outside, one becomes disoriented.

thus, this gives even the viewer a sense that they are wandering through the labyrinth with will.

"The only pattern we are shown is the pattern of the labyrinth...all progress is illusory: we may think we are getting somewhere new, but really we are retreading old patterns, circling and turning and retracing our steps until suddenly we exit right where we entered, with an echoing line or repeated pattern, and not once only but time and again" (x pg. 336)

just as doob says of chaucer's the house of fame, nbc's hannibal as a whole "reconstructs, rather than transcends, the complexity of the many labyrinths in which we live and write — labyrinths we cannot, and perhaps do not even wish to, escape" (x pg 339)

the plot of hannibal has been criticized for being too absurd or chaotic, but the absurdity is the show's essence. it is a tool of emphasis to remind us of the fact that hannibal, will, bedelia, jack, abigail, alana, margot, are — everyone is — making their way through the inferno, wandering through the labyrinth, unable to see the forest for the trees, just as we are. 

"there is no overview of the labyrinth, at least not in this life, and nothing is clear but the uncertainties of the ambiguous maze above whose constraints we cannot rise. believing all this, some men might despair, but…if these be labyrinths, they are enchanting ones, as full of delight as of frustration…nightmarish as it may be, is colorful, energetic, chock-full of magnificent diversity, far more beguiling than cosmic spheres. it cries out for the shaping mind and voice of the poet to give order and perspective where none exists. if that shaping is no more reliable than its material, so be it: perhaps a well-wrought poem in such a world is all the more admirable, and much more fun. the confusions and errors of the maze may be as attractive as the transcendent view. and if truth is always deferred, redefined by another twist, a fresh perspective, a different viewer, so what?" (x pg. 337)

tldr: will's journey through europe, exploring hannibal's memory palace is comparable to theseus' exploration of the labyrinth in search of the minotaur. hannibal is simultaneously daedalus (the labyrinth's creator), his person suit, the minotaur, his monster, and ariadne, a lover who allows theseus to not get lost in the labyrinth. the ravenstag and hannibal and will's psychological connection and deep understanding of e/o could also be compared to ariadne's thread. the center of a labyrinth is commonly something that is protected; hannibal says his home is at the center of his mind — hannibal's mind palace protects mischa at the center. even when will leaves the labyrinth and finds hannibal, there is not much higher knowledge gained from the journey, as would be expected. that is because we are still in the labyrinth, such is life. the absurdity and chaos of the hannibal plot, the repeating themes, plotlines, and endless parallels exacerbate this point, and emphasizes the inextricability of life, and the fact that there is no one correct path in the winding maze of life.

[spirk-trek]

Janet MacLachlan as Lieutenant Charlene Masters

S1E28: The Alternative Factor ⋆.˚ ✧ · ˚⊹ ·

[kens-ramblings]

so ik it’s not cannon accurate but,,,

i need a fic of tim just crashing out.

like he gets so sick of like damian and jason talking about how weak he is and shit like that that he’s like “yall realize lady shiva was my one of my FIRST teachers, and i was the first robin she trained. i had to train under b AFTER he already lost a robin. you DONT think he was 10x harder on me than any of you guys???? there’s a reason my training videos are mainly redacted without bruce’s or my permission. i got ra’s al ghul BEGGING ME to join his league or have my children. i get gifts from him WEEKLY. do you KNOW how many of his little ninja i fight per DAY??? nahh im sick of this shit let’s take it to the mats” and just demolishing both of them at the same time.

i just think it’d be very funny. i just like fics of people who pretend to be weaker than they are(or they just never really have a reason to go full tilt so they just don’t) get sick of holding back and just losing it :D

[mossycakes]

iwtv has a lot of strengths, but the complexity of each character is completely astounding. every single one of them, lestat, louis, claudia and armand have done terrible things, and i can understand and empathise with the motivations and reasoning behind every single terrible decision. they all hurt each other in their own ways, they all have their own unhealed tragedy and weakness, and i love every single one of them so dearly. with no spoilers, this sort of characterisation is PERFECTED in episode 5. i genuinely dont think i could name a show that does complex characters quite like iwtc, because holy fuck man.

[shyaringan]

idk if this will mean anything to anybody or will reach the right audience But in the off chance it does-

I used to post art all the time, my username was @reegis and I used to draw a ton of mechanisms fanart??

I was (and still am ngl) having a lot of health issues and logged out because i was overwhelmed and really needed a break that I assumed would only be temporary. its a Very long story but tldr- was logged out, new phone, email accounts didnt transfer over like id thought they would, absolutely no clue what email id used for the blog, tumblr Shockingly not helpful about it.

I only recently started drawing again, and got an overwhelming amount of encouragement from my friends to start posting instead of just keeping to myself.

probably none of that makes sense to anybody!

but if you happen to recognize that username hi! i miss you and im sorry for disappearing

[scruncheduppaper]

mv2 is crazy when you think abt the implications of v1 and mirage basically almost being the same people like yeah idk. like im not saying theyre the same people but do you think that when v2 looks at mirage they catch a glimpse of their previous rival and the thrill of the battle and their eventual defeat and death. do you think that v2’s shoulder socket aches a bit more every time they look into mirage’s lens. do you think that v2 would be imagining v1 in mirage’s place for a split second when theyre in bed and mirage doesnt have her clothes on. guys uh

[hickeygender]

reblog for a bigger sample size of former angry, creative, and/or highly dramatic children

[pestopastaenjoyer]

“Advance takes place before both adventure games!!1!!11” my brother in Christ. If this was supposedly set before sa2 then why would Sonic stay Super in space by himself for DAYS & come back w a solemn expression before smiling at the player to congratulate them for beating the game

[oodlesofowls]

[fanfic-gremlin-ft-trauma]

something something making an item of betrothal in ur bfs culture

[theunfriendlyghoul]

scrolling thru the CR and dorym tags after yesterdays ep, watching people way smarter than me interpret and discuss stuff >>>>

[skierisa]

too lazy to finish this but take this Brazilian sora except she's from the same city as me, design slightly inspired by this girl that used to take the same bus as me to school back in 2022

[rwby-confess]

Confession #216

[thepunkmuppet]

↳ cordelia chase + comfy / casual

[charmac]

Smiling below their trauma. Epic.

[fishyartist]

Ui idea tests, thrown together bc im eepy. Was planning on doing more but I spent all my days energy on the second one oops